Вещь в искусстве постмодернизма: aеноменологическая перспектива

Kačerauskas, Tomas

Use this url to cite publication: https://hdl.handle.net/20.500.14911/119563

Вещь в искусстве постмодернизма: aеноменологическая перспектива

Details

Publication Type (CRIS)

Straipsnis kitoje duomenų bazėje / Article in other database (S4)

Publication Type (eLABa)

Straipsnis kitoje DB / Article in other DB (S3)

Author(s)

Author	Affiliation
Kačerauskas, Tomas	Filosofijos ir kultūros studijų katedra / Department of Philosophy and Cultural Studies (6713)

Title

Вещь в искусстве постмодернизма: aеноменологическая перспектива

[ru]

Tomas Kačerauskas

Is part of

Топос: философско-культурологический журнал : Европейский гуманитарный университет

Published In

Year	Issue	Start Page	End Page
2007	1(15)	16	25

Referenced in Database(s)(DBs)

The Philosopher's Index

Extent

p. 16-25

URI

URI	Access Rights
https://hdl.handle.net/20.500.14911/119563
Straipsnis	Viso teksto dokumentas (atviroji prieiga) / Full Text Document (Open Access)

Cited references

Science / Art Area

Humanitariniai mokslai / The humanities (H)

Field of Science / Art

Filosofija / Philosophy (H001)

Keywords (en)

Abstract (en)

This article is dedicated to the status of things in the postmodern art from phenomenological point of view. The author states that the thing arises in a cultural and existential environment. On the other hand, the existence is created while we understand continually our living totality which includes both the future and the past. According to the author, cultural objects take part in this creation while they extend the existential horizon. It is supposed that to be involved into the existential project means to be real. The negative tendencies of globalization are connected with the cultural objects which are not involved into our existential totality.