The concept of image-movement in the context of locus cultural identity

Abstract

The identity interpreter in this sense is analogous to the Dclcuzean term percept. In such a configurating system identity interpreters operate on s hypersemantic level: the set of expressed meanings that stimulate the understanding (i.e. 'guessing') of the hidden meaning that is not expressed directly; identity interpreters shiiters that have no individual meaning or referential powei allow the receiver to concentrate on the whole; that can be compared with the Delezean non-private level of comprehension (where social and semantic issues plays the main role). Locality as the organism-field of subject nature that demonstrates to the designer its "position" and (or) "interests" in different actual socio-cultural contexts can be compared with the Deleuzcan specific subject of perception operating with non-private memory. The model of locus cultural identity in general has the parallel in the Deleuzcan concept of the plan of immanence.